Accountability check-in! But first, a recap from my first #100rejections post:
I have decided to set the literary goal of accumulating 100 rejections this calendar year to facilitate sustained efforts toward publication. Submitting multiple poems to one market and having them all rejected counts as one rejection. Having any number of poems in the packet accepted means that submission counts as an acceptance.
February, 2017 — 7 Rejections, 2 Acceptances
Year to Date, 20 / 4
- Hermeneutic Chaos Press, Rejection*
- Animal: A Beast of a Literary Journal, Rejection
- West Branch, Rejection*
- Memoryhouse Magazine, Acceptance
- Rust+Moth, Rejection
- 32 Poems, Rejection*
- FIELD, Rejection*
- FLARE, Rejection
- Uppagus, Acceptance
*The journals marked with an asterisk (*) satisfy my secondary literary goal of submitting to as many top-tier journals as possible. See my January Totals post for details.
Tune next month for March tallies!
Poem about growth and becoming with a wine metaphor up at Inklette, Issue #4. Lots of great stuff up there, for their first themed issue. Take a look!
Special thanks to Amanda O’Donoughue Photography for lending her incredible talent to this project by sharing one of her photos to display with the poem. You don’t know it yet, but you need to see her photos.
Peacock Journal, in collaboration with Little Red Tree Publishing, announced today that they have put out an inaugural anthology of poetry…and I am honored and thrilled to report that one of my poems from the collection of 5 they published online in December was selected to be included in this beautiful journal.
Buy your copy on Amazon, or directly from Little Red Tree Publishing.
If there was ever a time you could use a little more truth and beauty and beautiful truth in your life, consider supporting the arts (here, or anywhere).
Seeking publication through traditional channels means you’re going to get rejections. I have decided to set the literary goal of accumulating 100 rejections this calendar year to facilitate sustained efforts toward publication. For the purposes of this goal, submitting multiple poems to one market and having them all rejected counts as one rejection. Having any number of poems in the packet accepted means that submission counts as an acceptance .
To stay transparent, accountable, and perhaps to help inspire other writers out there to share their art, I’ll be posting monthly updates on my progress. I’m sort of fascinated at the internal response to this challenge — it has been invigorating, and has definitely made me cherish the “No” responses all the more.
January, 2017 — 13 Rejections, 2 Acceptances
- Love & Ensuing Madness (Rat’s Ass Review), Acceptance
- Hermeneutic Chaos Press, Rejection*
- Threepenny Review, Rejection*
- Eyedrum Periodically, Acceptance
- Amuse-Bouche, Rejection
- Whale Road Review, Rejection
- FreezeRay, Rejection
- THRUSH Poetry Journal, Rejection*
- Ploughshares, Rejection*
- Plume Poetry, Rejection*
- The Golden Key, Rejection
- Foundry, Rejection
- Synaesthesia Magazine, Rejection
- Baltimore Review Contest, Rejection
- Nanotext Contest, Rejection
*The journals marked with an asterisk (*) satisfy my secondary literary goal of submitting to as many top-tier journals as possible. I’m going by the imperfect but convenient standard according to statistics recorded in Duotrope, the site offering comprehensive databases of markets to submit work to combined with submission tracking. They collate robust response statistics and from these data, create a variety of “Top 100 ____” Lists, including things like fastest response times, friendliest and most approachable, etc. I’m gauging “top-tier” based on the Duotrope listing of the Most Challenging markets (lowest acceptance ratios) and No Acceptances Recorded lists. I’m using their statistics to help me determine what markets are likely the most competitive to get into, and therefore more desirable to have on my tear sheet to build my credibility and reputation as a poet.
Tune on March 1st for February tallies!
My poem “You were gone and returned” was included in the “Drunken” theme just released at Eyedrum Periodically, guest-edited by Richard Gess. Thank you, Richard, for including my work!
“The Phoenix Soul honors your daily transformation. Your vulnerable truth. Your grit and your grace. Your gut-wrenching grief and wild joy.” — TPS
Issue 57, “Vibrant Life”, is live and available for purchase. Each issue is a work of art and love, and I’m happy to have been included here. Thank you, Amanda!
Click here or on the image above to visit The Phoenix Soul site via my affiliate link, and click “SHOP” to browse issues. Thank you!
My poem “My Cunt, or Cleanup in Aisle 3” is now up at Rat’s Ass Review as part of their special Love & Ensuing Madness collection. This is a fun little extended metaphor piece I wrote on a lark one day years ago. I’ve always loved it and never thought I would find a home for it — happy to say that’s no longer the case. Thank you, Rick of Rat’s Ass! Here’s the main link to the full collection (scroll down to view all once you get to the page, or browse the list of poets).